The Blackmagic Pocket Cinema Camera 4K features a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images
Effective Sensor Size
18.96mm x 10mm (Four Thirds)
€1.405,00
The Blackmagic Pocket Cinema Camera 4K features a 4/3 size sensor, 13 stops of dynamic range and dual native ISO up to 25,600 for HDR images and incredible low light performance. External controls give quick access to essential functions, while the large 5 inch touchscreen makes it easy to frame shots, focus accurately and change camera settings. Features include built in SD/UHS-II or CFast 2.0 recorders for Blackmagic RAW or ProRes recording as well as a USB-C expansion port for recording externally to disks, plus MFT lens mount, built-in microphones, XLR input, full sized HDMI, 3D LUT support, Bluetooth and more.
Blackmagic Pocket Cinema Camera now works as a studio camera for live production when used with ATEM Mini! Video and control is via the HDMI connection, which is available as soon as you plug the cameras in. The record light becomes a tally light so you can see which camera is on air! The ATEM Software Control camera page has a camera control unit (CCU) style interface for adjusting and matching your cameras. Move the CCU control vertically for iris and left to right to adjust black level. It’s the same as a broadcast CCU! There are also controls for color tint to balance cameras as well as focus, gain and shutter speed. You can even ISO record Blackmagic RAW in the camera for editing later!
model features a 4/3 image sensor with 4096 x 2160 resolution and an MFT lens mount, allowing you to capture wide dynamic range and Hollywood quality, digital film images in the palm of your hand! The MFT mount lets you use super compact, lightweight and affordable lenses so you can take the camera anywhere, even locations that are too hostile for larger cameras. The result is an extremely advanced, affordable and portable high end digital film camera!
18.96mm x 10mm (Four Thirds)
Active MFT mount.
Iris, focus and zoom on supported lenses.
13 Stops.
400 and 3200
4096 x 2160 (4K DCI) up to 60 fps
4096 x 1720 (4K 2.4:1) up to 75 fps
3840 x 2160 (Ultra HD) up to 60 fps
2880 x 2160 (2.8K Anamorphic) up to 80 fps
2688 x 1512 (2.6K 16:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps
Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 4K DCI, 120 fps in 2.6K 16:9 and HD windowed.
Auto focus available using compatible lenses.
Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.
5” 1920 x 1080.
LCD capacitive touchscreen.
Automatically populated lens data from electronic Micro Four Thirds lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.
Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Play Button, 1 x Focus Button and 1 x IRIS Button.
None.
1 x HDMI up to 1080p60
1 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.
1 x 3.5mm headphone jack.
USB Type-C for external drive recording, PTP camera control and software updates.
Integrated stereo microphone.
1 x mono speaker.
None.
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.
4KDCIp23.98, 4KDCIp24, 4KDCIp25, 4KDCIp29.97, 4KDCIp30, 4KDCIp50, 4KDCIp59.94, 4KDCIp60.
1 x CFast card slot, 1 x SD UHS-II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.
iPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses, color corrector, tally and internal record start and stop when used with a compatible ATEM and ATEM Software Control.
DaVinci YRGB.
1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.
Storage rates based on 30 frames per second.
4096 x 2160
Blackmagic RAW 3:1 – 135 MB/s
Blackmagic RAW 5:1 – 81 MB/s
Blackmagic RAW 8:1 – 51 MB/s
Blackmagic RAW 12:1 – 34 MB/s
Blackmagic RAW Q0 – 81 to 203 MB/s *
Blackmagic RAW Q5 – 21 to 58 MB/s **
Apple ProRes 422 HQ – 117.88 MB/s
Apple ProRes 422 – 78.63 MB/s
Apple ProRes 422 LT – 54.63 MB/s
Apple ProRes Proxy – 24.25 MB/s
4096 x 1720
Blackmagic RAW 3:1 – 108 MB/s
Blackmagic RAW 5:1 – 65 MB/s
Blackmagic RAW 8:1 – 41 MB/s
Blackmagic RAW 12:1 – 27 MB/s
Blackmagic RAW Q0 – 65 to 161 MB/s *
Blackmagic RAW Q5 – 17 to 47 MB/s **
3840 x 2160
Blackmagic RAW 3:1 – 127 MB/s
Blackmagic RAW 5:1 – 76 MB/s
Blackmagic RAW 8:1 – 48 MB/s
Blackmagic RAW 12:1 – 32 MB/s
Blackmagic RAW Q0 – 76 to 190 MB/s *
Blackmagic RAW Q5 – 19 to 55 MB/s **
Apple ProRes 422 HQ – 110 MB/s
Apple ProRes 422 – 73.6 MB/s
Apple ProRes 422 LT – 51 MB/s
Apple ProRes Proxy – 22.4 MB/s
2880 x 2160
Blackmagic RAW 3:1 – 96 MB/s
Blackmagic RAW 5:1 – 58 MB/s
Blackmagic RAW 8:1 – 36 MB/s
Blackmagic RAW 12:1 – 24 MB/s
Blackmagic RAW Q0 – 58 to 143 MB/s *
Blackmagic RAW Q5 – 15 to 41 MB/s **
2688 x 1512
Blackmagic RAW 3:1 – 63 MB/s
Blackmagic RAW 5:1 – 38 MB/s
Blackmagic RAW 8:1 – 24 MB/s
Blackmagic RAW 12:1 – 16 MB/s
Blackmagic RAW Q0 – 38 to 94 MB/s *
Blackmagic RAW Q5 – 10 to 27 MB/s **
1920 x 1080
Blackmagic RAW 3:1 – 33 MB/s
Blackmagic RAW 5:1 – 20 MB/s
Blackmagic RAW 8:1 – 13 MB/s
Blackmagic RAW 12:1 – 8 MB/s
Blackmagic RAW Q0 – 20 to 49 MB/s *
Blackmagic RAW Q5 – 5 to 14 MB/s **
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
Apple ProRes 422 LT – 12.75 MB/s
Apple ProRes Proxy – 5.6 MB/s
Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0 and Q5 at 4096 x 2160, 4096 x 1720, 3840 x 2160, 2880 x 2160, 2688 x 1512 and 1920 x 1080 with film, extended video or video dynamic range. ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.
*
Constant Quality setting Q0 storage rates quoted are indicative only, based on a 2:1 – 5:1 compression range.
**
Constant Quality setting Q5 storage rates quoted are indicative only, based on a 7:1 – 20:1 compression range.
Actual storage rates are entirely dependent on image subject matter.
Blackmagic OS
1 x External 12V power supply.
1 x 2-pin locking connector.
Canon LP-E6.
Approximately 60 minutes
(recording at 24 fps without any external USB-C device connected)
12V-20V
Blackmagic Pocket Camera Battery Grip.
0°to 40°C (32° to 104°F)
-20°to 45°C (-4° to 113°F)
0% to 90% non-condensing
Blackmagic Pocket Cinema Camera 4K
Lens turret dust cap
30W power supply with locking connector and international adapters
LP‑E6 battery
SD card with software and manual
Welcome card
DaVinci Resolve Studio with activation key
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