Blackmagic Micro Cinema Camera is the world’s smallest digital camera with Super 16 and 13 stop dynamic range sensor.
Effective Sensor Size
12.48mm x 7.02mm (Super 16)
Introducing the Blackmagic Micro Cinema Camera, a miniaturized Super 16mm, professional digital film camera that is designed to be operated remotely and capture action anywhere! A revolutionary built in expansion port has PWM and S.Bus inputs so you can use a model airplane remote control to operate the camera wirelessly. Imagine adjusting focus, iris and zoom wirelessly! The Micro Cinema Camera is a true digital film camera that features built in RAW and ProRes recording, 13 stops of dynamic range and an MFT lens mount. You get a true digital film camera that can go where no other digital film camera can!
The Super 16 sensor on the Blackmagic Micro Cinema Camera is full 1080 HD resolution and has an incredible 13 stops of dynamic range! That means you get true digital film quality images because the sensor can capture more information in the bright and dark areas of the image. Unlike DSLR and action-style cameras that are limited to video range which clips highlights and shadows, the Blackmagic Micro Cinema Camera gives you brighter highlights without clipping, and rich detail in shadows. With an ISO up to 1600 you get great quality, even in locations with low lighting.
The built in recorder captures true 12-bit log digital film quality images without the artifacts you get on heavily compressed 8-bit H.264 files used on small consumer action and DSLR cameras. Files can be saved in either Cinema DNG RAW or ProRes. Cinema DNG RAW files are 12-bit log and give you all of the data from the camera’s sensor, so you have the latitude to change things like white balance and exposure long after the camera stops rolling. If you need smaller file sizes and longer recording times, you can use ProRes to get broadcast quality images. Both formats can be easily edited and color corrected with the included DaVinci Resolve for Mac and Windows.
The Blackmagic Micro Cinema Camera features an active Micro Four Thirds lens mount so you can use high performance photographic lenses including wide angle, primes, standard zooms, telephotos and more. That means you’re not stuck with a built in lens and can choose the best lens for the job! The focus, iris and zoom on active MFT lenses can be controlled remotely from the camera’s expansion port. Many MFT lenses also have built in optical image stabilization, making them perfect for use in places where there might be a lot of movement, shocks or vibration.
12.48mm x 7.02mm (Super 16)
Active MFT mount.
Iris, focus and zoom on supported lenses.
13 stops.
1920 x 1080
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
Remote focus control via expansion connector when using compatible lenses.
Iris control via Rewind and Forward buttons, plus remote control via expansion connector when using compatible lenses.
6 control buttons including Record, Play, Rewind, Forward, Menu, and Power. 4 channel PWM plus 1 x S.Bus remote via expansion connector.
1 x 1/4 inch (top), 3 x 1/4 inch (bottom).
None
1 x HDMI Type A, 1 x Composite Video output.
1 x 3.5mm stereo jack, mic or line level. Can also be used for timecode input.
1 x 3.5mm stereo headphone jack
Tri-Sync or Black Burst on expansion connector.
DB-HD15 serial connector provides support for:
Power input
LANC input
1 x S.Bus input
4 x PWM channel input
Reference input
Composite video output
Lens control, recording parameters and record trigger start/stop trigger via LANC and PWM or S.Bus remote channels
USB 2.0 Mini-B port for software updates.
Integrated stereo microphone.
None
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
CinemaDNG RAW, CinemaDNG RAW 3:1, ProRes 422 HQ QuickTime, ProRes 422 QuickTime, ProRes 422 LT QuickTime, ProRes Proxy QuickTime.
SDXC and SDHC cards.
Media Format can format cards to HFS+ for Mac or exFAT for Windows.
Expansion connector has LANC, S.Bus and PWM for lens and other settings control.
Removable SDXC and SDHC cards.
Mac OS Extended or exFAT format. SD cards can be formatted in camera, or on any Mac or Windows computer. Formatting in camera recommended.
1920 x 1080
CinemaDNG RAW – 65 MB/s
CinemaDNG RAW 3:1 – 33 MB/s
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
Apple ProRes 422 LT – 12.75 MB/s
Apple ProRes Proxy – 5.6 MB/s
Rates based on 30 frames per second.
Lossless CinemaDNG RAW, RAW 3:1 at 1920 x 1080 with film dynamic range.
Apple ProRes 422 HQ, 422, 422 LT and 422 Proxy at 1920 x 1080 with either film or video dynamic range.
DaVinci Resolve grading software. SD card for Mac and Windows.
Canon LP-E6
Approximately 1 hour 30 minutes
12V-20V
0° to 40° C (32° to 104° F)
-20° to 45° C (-4° to 113° F)
0% to 90% non-condensing
Blackmagic Micro Cinema Camera
Expansion cable
LP-E6 battery
Turret dust cap
12V AC Adapter
SD card with software and manual
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