For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with processing for working in Ultra HD.
SDI Video Inputs
1
For extreme power, the HyperDeck Studio 4K Pro has all the features of the HD models, combined with incredible processing for working in Ultra HD. This model’s SDI has been upgraded to full 12G-SDI with a loop 12G-SDI output. The two SDI outputs are both 12G-SDI so you can play ProRes 4444 files for true Ultra HD fill and key out. The HDMI connections and the ProRes and DNx file formats all switch between SD, HD and Ultra HD television standards. Like the other models, H.264 is included for SD and HD, but then switches to H.265 when recording in Ultra HD. Even the networking has been upgraded to 10G Ethernet for incredible speed! You also get 2 redundant AC power supplies!
HyperDeck Studio has so many features, it’s perfect for any task in broadcast and live production! You can even use it to build large digital signs! One of the most common uses is for recording from live production switchers to create broadcast masters, or for ISO recording cameras for later editing. HyperDeck Studio can even be used as a clip player for animated broadcast graphics. There are models starting from the incredibly tiny HyperDeck Studio HD Mini, up to the full sized HyperDeck Studio Pro that features a larger control panel, both SSD and SD Card media and an elegant machined metal search dial with electronic clutch. All this means there is a model perfect for your needs.
HyperDeck Studio is ideal for recording broadcast masters for live production work such as concerts, sport, business presentations, education seminars and more! The Plus and Pro models have both SDI and HDMI inputs so you can connect any live production switcher, or even an ATEM Mini. An ATEM Television Studio HD and a HyperDeck Studio HD Mini will even both fit in a single rack unit! When recording masters, you can select H.264 video and AAC audio, for long record times, small files and full compatibility with YouTube. That’s also perfect for archiving as files take up very little storage space. Plus H.264 files can be directly played on smart TVs, phones and tablets!
HyperDeck Studio is ideal for recording multiple camera feeds on live production. Plus the compact size means you can fit three HyperDeck Studio HD Minis or two HyperDeck Studio HD Plus models in a single rack unit, so you get dramatically reduced weight and size for a multi-camera ISO recording rig. You can even loop the SDI out from each HyperDeck to send each camera feed to a MultiView so you can see all cameras on a single screen! All HyperDeck Studio models have built in reference and timecode generators, so you can simply loop from the first one to other HyperDecks in a stack and they will all be in perfect sync with matching timecode. That’s perfect for later multi-cam editing!
Large digital signs are incredibly popular and can be found on buildings worldwide. HyperDeck Studio is a great solution for video walls because you can create an array of synchronized HyperDeck players that can be used to drive large LED screens that use multiple video resolution panels. All models have both SDI and HDMI video output so you can create large displays with professional LED panels, or even multiple large screen televisions! With fast Ethernet and support for H.264 and H.265 files, you can remote manage and upload content to signs even if the sign is hard to access! Plus with built in sync generators, you can loop sync to multiple HyperDecks to build displays of unlimited size!
There are millions of hours of news, sports and TV programs in videotape archives around the world! As videotape deteriorates over time, it needs to be digitized before it’s lost forever. All SD and HD standards are supported and you can record direct from old decks such as Digital Betacam. Or you can record from analog decks such as Betacam SP, 1″, U‑matic and VHS by using an analog to SDI converter. That means a whole vault of videotape can be shrunk down and archived onto a single hard disk when using modern H.264 files. Plus H.264 files are perfect for streaming services as they can be directly uploaded. That means you can give new life and monetize your vintage TV shows!
1
2
1
270Mb, 1.5G, 3G, 6G, 12G.
1
1
Mono
1 x 6.35 mm headphone jack.
2.2 inch LCD.
1 x XLR In, 1 x XLR Out.
1 x BNC In, 1 x BNC Out.
Tri-Sync or Black Burst.
16 channels embedded audio.
16 channels embedded audio.
8 channels embedded audio.
8 channels embedded audio.
1 x RS-422 In, 1 x RS-422 Out.
Via user interface orBlackmagic HyperDeck Ethernet Protocol.
10Gb/s
1 x USB Type-C 3.1 Gen 2 (up to 10Gb/s)for external drive recording, webcam out,software configuration and updates.
525i59.94 NTSC, 625i50 PAL
720p50, 720p59.94, 720p60
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1, SMPTE 2082‑10, SMPTE 2084 and SMPTE 2108‑1.
HD RP188 and closed captioning CEA‑708. HDR Metadata supported on SDI.
525i59.94 NTSC, 625i50 PAL,
720p50, 720p59.94, 720p60,
1080i50, 1080i59.94, 1080i60,
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,
2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI,
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60,
4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI
Television standard 24‑bit, 48 kHz sample rate.
4:2:2 YUV
10‑bit
REC 601, REC 709, REC 2020.33 point 3D LUTS can be applied to SDI monitor out.
Hybrid Log‑Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084.
Auto detection of SD, HD, 6G‑SDI and 12G‑SDI.
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
2 x 2.5 inch disc slots2 x SD card slots1 x USB‑C 3.1 Gen 2 expansion portfor external recording of SD, HD,2K DCI, Ultra HD and 4K DCI.
SATA-II or SATA-III 2.5 inch solid state media.UHS-I and UHS-II SD cards.
Can format media to ExFAT (Windows/Mac)or HFS+ (Mac) file systems.
ProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p60. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps.DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K DCI and 2160p formats up to 60fps.H.265 SDI 4:2:2 10‑bit, H.265 High 4:2:0 10‑bit, H.265 Medium 4:2:0 10‑bit, H.265 Low 4:2:0 10‑bit for all 2160p formats up to 60 fps. H.264 SDI 4:2:2 10‑bit, H.264 High 4:2:0 8‑bit, H.264 Medium 4:2:0 8‑bit, H.264 Low 4:2:0 8‑bit for all progressive formats up to 1080p60.
16 buttons for transport and device control with search dial featuring electronic clutch and 2.2 inch color display.
RS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. Supports remote FTP file upload.
Blackmagic OSBlackmagic HyperDeck SetupInternal Software UpgradeLoaded at system start, or via Blackmagic HyperDeck Setup using USB port.
Built in 2.2 inch LCD for video, audio and timecode monitoring and menu settings.
LED bezel indicator lights around SSD media slots and LED indicator lights above the SD media slots.
2 x Internal 100 – 240V AC 50/60Hz.
1 x 4 pin XLR 12V DC In for external power supplyor battery use.
100 W max.
HyperDeck Extreme Control
1 rack unit height.
0° to 40° C (32°to 104° F)
-20° to 60° C (-4° to 140° F)
0% to 90% non‑condensing
12 Month Limited Manufacturer’s Warranty.
Only logged in customers who have purchased this product may leave a review.
There are no reviews yet.