With the ability to record up to native 4K in H.265, you get reduced storage costs and amazing image quality.
SDI Video Inputs
HyperDeck Extreme features the trusted reliability of HyperDeck combined with new innovations such as space saving H.265 files, optional internal cache, 3D LUTs and HDR support! With the ability to record up to native 8K in H.265, you get reduced storage costs and amazing image quality. The large touch screen ensures a perfect view of your recording as well as control over all deck settings. You can then add HyperDeck Extreme Control to transform it into a traditional broadcast deck! This means HyperDeck Extreme is the perfect solution for the next generation of broadcast, live production and digital signage!
Powerful Ultra HD touchscreen HyperDeck records and plays H.265 and ProRes files in all SD, HD and Ultra HD standards up to 2160p60. Includes scopes, upgradable cache plus SDI, HDMI and analog video.
HyperDeck Extreme has an innovative touch screen user interface with deck controls as well as a large screen to view your recording. Then add a HyperDeck Extreme Control for traditional broadcast deck controls and a large shuttle knob that feels incredibly luxurious to use! You can even rack mount the HyperDeck and the controller! HyperDeck Extreme also includes 2 media slots, 12G‑SDI, analog connections for archiving, USB‑C external disk recording, plus a front panel speaker and headphone jack! There’s also an optional cache that eliminates dropped frames if your media becomes full or is too slow. Both AC and DC power connections are also included for studio or on location use.
With its amazing versatility, HyperDeck Extreme is also great for live production as a master recorder, clip player and for recording ISO cameras. The analog inputs allow you to record from old video tapes, so legacy programming can be used on the latest streaming services or for use in editing. Digital signage is easy with HyperDeck Extreme as it has 10G Ethernet for fast media uploads, plus it features a simple remote control protocol. You can even use it as a field recorder as it includes HDMI, SDI and analog inputs with built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast!
As streaming services have become common, preserving cultural diversity through maintaining localized content is increasingly important. The solution is to get each country’s legacy programs onto streaming services at an affordable cost. HyperDeck Extreme Control lets you connect to legacy broadcast decks, set an in and an out point, then edit. Just add HyperDeck Extreme and HyperDeck Extreme Control to each legacy deck to keep them all archiving constantly with just one operator. It’s even possible to edit across formats by using Teranex Express to convert tapes from SD to HD in one step. You can control a wide range of decks, including Digital Betacam, 1 inch C format, and Betacam SP.
3 (12G-SDI A and B plus 3G-SDI Monitor Out)
270Mb, 1.5G, 3G, 6G, 12G.
1 x Component YUV on 3 BNCs,
1 x Composite NTSC/PAL on 1 BNC.
4 Channels of professional balanced analog audio via XLR connectors and 2 channels of consumer unbalanced via RCA connectors.
7 inch 1920 x 1200. 2000 nit DCI-P3 100% HDR LCD
1 x XLR in and 1 x XLR out.
Tri-Sync or Black Burst.
16 channels embedded audio.
16 channels embedded audio.
8 channels embedded audio.
8 channels embedded audio.
1 x RS-422 In, 1 x RS-422 Out.
Via user interface or Blackmagic HyperDeck Ethernet Protocol.
1 x USB-C 3.1 Gen 2 (up to 10Gb/s) for external disk recording.
1 x USB-C for software updates.
525i59.94 NTSC, 625i50 PAL
720p50, 720p59.94, 720p60
1080i50, 1080i59.94, 1080i60
1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60
1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30
1080p23.98 DCI, 1080p24 DCI, 1080p25 DCI
1080PsF23.98 DCI, 1080PsF24 DCI, 1080PsF25 DCI
2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60
2160p23.98 DCI, 2160p24 DCI, 2160p25 DCI
SMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-1, SMPTE 2082-10 and SMPTE 2084.
HD RP188 and closed captioning CEA-708. HDR Metadata supported on SDI.
Television standard 24-bit, 48 kHz sample rate.
REC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied via the LUTS menu tab.
Auto detection of SD, HD, 6G‑SDI, and 12G-SDI.
HDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.
Slot for optional M.2 PCIe NVMe card for cache recording up to 16Gb/s. 60mm 80mm and 110mm supported.
2 x CFast 2.0 card slots and 1 x USB-C 3.1 Gen 2 expansion port for external recording of SD, HD, and Ultra HD.
CFast card and external USB-C flash drives.
Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.
Waveform, RGB Parade, Vector and Histogram scopes in broadcast quality 10-bit.
Picture in picture, picture overlay with opacity control. Waveform and RGB parade with standard and HDR graticules and Vector with zoom.
Integrated capacitive touchscreen LCD with onscreen controls for settings and navigating menus.
RS-422 deck control, SDI start/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol.
Blackmagic HyperDeck Setup
Loaded at system start, or via Blackmagic HyperDeck Setup using USB port.
1 x Internal 100 – 240V AC.
1 x 4 pin XLR 12V DC IN for external power or battery use.
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